Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

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Experimental chamber music from the German trio of Udo Schindler on tenor saxophone, bass saxophone & cornet, Eric Zwang Eriksson on percussion and Sebastiano Tramontana on trombone & voice, performing at BASIS_Klangraum in MUCCA, Munich, the title translating to "singing without words" from the poetry cycle "Il taccuino del vecchio" by Guiseppe Ungaretti.

Reedist Udo Schindler continues his exploration into the double bass and low-tone reed instruments, here on bass & contrabass clarinets contrasted only with his soprano saxophone, in a 2022 live recording from MUCCA_Kommandozentrate in Munich of the five-part improvisation "Hybride Synergetic" in a trio with double bassists Peter Jacquemyn and Georg Karger.

Performing at the Gallery arToxi in Munich, 2022 as part of clarinet & cornetist Schindler's LowToneStudies series, the free improvising trio of Schindler, Nikolaus Neuser on trumpet and Georg Karger on double bass perform four extended conversations of meticulous momentum and superb technique, at times repurposing, extending or modifying their instruments.

Performing on clarinets and theremin, Udo Schindler follows up his series Salon für Klang+Kunst after 99 events with this new series at BASIS_Klangraum in Munich's historic BASIS Booksalon at MUCCA, in a concert with instrument maker Ardhi Engle performing on a diverse set of acoustic and electronic inventions for nine concise collective conversations.

Udo Schindler follows his duo album with drummer Eric Zwang-Eriksson @ Salon fur Klang+Kuns, Poetry?? Ein Wurfelwurf with this recording at BASIS_Sound_Space at MUCCA - Munich Center of Community Arts in Munich, Schindler on sopranino & tenor saxophones and the deep TUBAX, interacting with Eriksson's rapid-fire and uniquely voiced drum & percussion work.

Live recordings of two sessions of fully free and uniquely creative duo improvisations by Udo Schinlder on clarinets, saxophone and brass, and Peter Jacquemyn on double bass & voice, recorded on November 29th, 2019 at the 98th Salon für Klang+Kunst Kralling/Munich by Udo Schindler (part one) & on the next day at Galerie arToxin by Gottfried Düren (part two).

"The Demon of Analogy", reedist Udo Schindler on clarinets & saxophone and Michel Withsch performing on a Pleyel piano, take inspiration from the concepts of French symbolist poet Stéphane Mallamé (1842-1989), who considered his texts as instruments of harmonic complexity and ambiguity, interpreted in eight improvisations recorded live at Krailing, in Munchen, Germany in 2016.

Unique voicing through the orchestration of saxophones, basset horn, glissotar (a modern continuous pitch wind instrument) and vibraphone, heard in this recording at the international artist house Villa Waldberta, in Feldafing-Munich, Germany, for seven recordings that blend free jazz forms with chamber jazz approaches with remarkable sophistication and composure.

Concentrating on the lower end of their instruments, Udo Schindler and double bassist Wilbert de Joode improvise live at DasKihotzky_wagnisARt and at the 99th Salon für Klang+Kunstover in Munich, for 10 parts of their "[LowToneStudies]", Schindler performing on bass clarinet, f-tuba and tubax (a contrabass saxophone), occasionally complementing their lower end with soprano sax.

Refined and free ranging improvisation between German reedist Udo Schindler performing on bass clarinet, tenor & sopranino saxophones and also on cornet, and US double bassist Damon Smith, recorded 3 days after the first volume in this series, presenting two sets from the same day of informed and diverse dialogs between two masterful improvisers.

Performing at the Gottfried Duren/arToxin at Galerie ar Toxin in 2019, the trio of Udo Schindler on clarinet, bass clarinet & alto horn, Damon Smith on double bass, and Karina Erhard on C flute & alto flute present a sophisticated set of free improvisations with a chamber improv feeling, using tremendous technique and intent listening through six fascinating dialogs.

A convergence of reeds across the range of clarinets, from double bass clarinet to piccolo clarinet, in this live recording at Udo Schindler's 88th SALON fur Klang+Kunst in Krailling/Munich between reedists Schindler and Ove Volquartz, with particular emphasis on the deepest of reeds, the most challenging of clarinets, handled masterfully by both players.

Extremely well paired in their unusual approaches to their instruments both acoustic and electronic, this live recording between Udo Schindler on reed & brass instruments and Jaap Blonk improvising with his voice and using computer electronics, results in eight diverting and inspired recording of extreme creative approaches and impressive technical skill.

Tokyo pianist Masako Ohta, who works in both compositional and improvisation fields and here perform inside and out of the piano, met mutli-instrumentalist Udo Schindler, here on clarinets and alto horn, as part of the art exhibition by Philp Fischer Ulrich: "monitorobjekte" at Salon fur Klang+Kunst, in Krailling/Munich, Germany in 2019.

Reedist and mutli-instrumentalist Udo Schindler's first instrument was a soprano sax, and this solo concert at Atelier Ekkelancj Götze in Munich in 2018 brings to the foreground his 40 years of experience, advanced technique, and creative approach to this capricious and demanding instrument, performing a 2-part free-form "PNEUMA-Sax+Erde" and an encore.

SALON fur Klang + Kunst multi-reedist Udo Schindler met Japanese pianist Masako Ohta at Mohrvilla, Munchen/Freimann, Germany in 2017 to record this extended live improvisation, bringing Schindler's free jazz and non-idiomatic styles together with Ohta's contemporary classical background, in an intently educated and fascinating merging of styles and approaches.

Udo Schindler marks his 80th Salon fur Klang+Kunst in Munich as his first duo recording with a drummer, in a first-time meeting with long-time acquaintance, drummer/percussionist Eric Zwang Eriksson, joining him as they find inspired common ground with Schindler on alto sax, bass clarinet, cornet and euphonium and Eriksson using all aspects of his drums and percussive devices.

A single extended improvisation from the trio of Udo Schindler on reeds, brass & analogue synthesizer, Gunnar Geisse on laptopguitar & virtual instruments, and Anton Kaun on electronics, zeug & effects recorded live at Das Lihotzky/wagnis ART, in Munchen, Germany in 2017, a journey of odd intent, brilliant technique, eccentric attitude, and unorthodox dialog.

A set of unusual and wonderfully unpredictable electroacoustic improvisations recorded live at the Akustronik#18 concert at Projektraum Streitfeld (Munich) in 2017 from the trio of Udo Schindler performing on reeds, brass & analogue synthesizer; Gunnar Geisse performing on laptopguitar & virtual instruments; and Anton Kaun performing on electronics, zeug & effects.

Two complete live performances in Munich at Galerie arToxin, and at Udo Schindler's Salon fur Klang + Kunst Krailing in 2018, with Schindler on bass clarinet, soprano saxophone and cornet, Ernesto Rodrigues on viola, and Guilherme Rodrigues on cello, balancing active and introspective dialog of advanced harmonics, (a)rhythmic approaches, and extraordinary technique.

Performing in Krailling-Munich at Udo Schindler's Salon fur Klang+Kunst in 2018, Netherland free improvising, brilliantly mad vocalist Jaap Blonk joins the reed master for ten acoustic improvisations with Schindler on a variety of reeds and brass instruments, the dialog authoritatively informed, masterful, slightly deranged, and continuously captivating.

Live recordings of the performance on March 1st, 2018 at the Galerie arToxin in Munich, presenting compositions from Udo Schindler performing on bass clarinet, soprano saxophone & euphonium, Gunter Pretzel on viola, and Georges-Emmanuel Schneider on violins & live electronics, three artists of diverse background crossing boundaries to create something unique and exciting.

Eleven instrumental works with each piece based on and emulating the sound characteristics of blackbirds, such as "whistling", "squealing", or "flutes", captured in a live concert at multi-reedist Udo Schindler's Salon fur Klang+Kunst in Krailling in Berlin, from the duo of Schindler and long-time musical collaborator, violinist Georges-Emmanuel Schneider, also on live electronics.

Selected short pieces for C double bass clarinet from German multi-reedist Udo Schinder, recorded live at his performance space for avant, free, and sound-oriented improvisation, Salon fur Klang + Kunst, in Krailling, Munich; Schindler presents a diverse set of approaches recorded to give strength and warmth to both subtle and vociferous statements.

Live at the 66th SALON fur Klang+Kunst in Krailling, Munich, Germany finds festival leader Udo Schindler on cornet, bass, contrabass clarinet, soprano saxophone in a duo with Berlin-based Istanbul-born computer musician Korhan Erel, who designs his own unique instruments with unusual controllers, performing 9 singular dialogs of ethereal and unorthodox sound.

The quirky acoustic trio of German improvisers Udo Schindler on clarinet, saxophone, cornet, and Euphonium, Johannes Ollinger on acoustic guitar and toys, and Dine Doneff on double bass, waterphone, and toys, the odd instrumentation adding surprising textures and disorienting angles to really fine dialog, technically, melodically, and eccentrically.

A series of duo recordings between saxophonist, clarinetist and cornet player Udo Schindler and pianists, all recorded at Schindler's Salon for Sound and Art at Krailing, Germany between 2013 and 2016, with Claudia Ulla Binder, Masako Ohta, Elisabeth Harnik, Katharnia Weber, and Lisa Ullen; song titles taken from SONDAGEN (Soundings) in memory of poet Thomas Kling.

Udo Schindler's Salon for Sound and Art at Krailing in Krailing, Germany is the setting for this superb live duo concert, capturing Schindler and Ove Volquartz both on bass and double bass clarinet, showing the breadth of sonic possibilites and diverse approaches from the deepest of clarinets performed by two masterful musicians.

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A wild dialog between Swiss trumpeter Marco von Orelli and saxophonist Udo Schindler, recording live at the 58th SALON for Klang+Kunst in Krailing/Munich in 2015, using an insanely advanced set of techniques and approaches to their horns for intense and exultant effect.

A feast for fans of the soprano saxophone as Udo Schindler and Frank Paul Schubert improvise live at the 51th SALON fur Klang + Kunst in Krailing/Munich, Germany in 2015, blending and contrasting two approaches to the instrument in fascinating ways.